Hubcap and I often joke that we’re the king and queen of Helmickton-sur-Bois, a tiny kingdom we inhabit along with our cat-son, Prince Henry Wowler, and countless other citizens of the furry, feathery, buzzy or creepy-crawly type, (but no servants, alas, which makes us perforce extremely active monarchs). Accordingly, since our bedroom with its cracked ceiling and split wallpaper (courtesy of the 2008 earthquake) and sick-stained carpet (courtesy of Prince Henry) was sadly overdue for re-decoration, I wanted a new, opulent look to reflect our regal status. And I’m so delighted with the result that I’d like to share it with you, primarily to praise various companies we used for the excellence of their work and/or quality of goods supplied, and also to acknowledge the many friends whose generous gifts helped me to create my dream bedroom.
The whole design pivots around a reproduction of Graham Turner’s famous painting of the Battle of Towton, with the main colour scheme azure-and-murrey, (blue and deep red), the Yorkist colours.
Some people might think hanging an image of conflict and death over one’s marital bed is inviting bad karma, but for us the picture has far happier associations. For a start, it was a wedding present from our good friend Martin, reflecting our personal history: Hubcap and I met, and subsequently had our marriage blessed, at Saxton on the southern edge of the Towton battlefield; for many years we both sat on the committee of Towton Battlefield Society, and founded/ran its affiliated Wars of the Roses re-enactment group, the Frei Compagnie; and we’ve both ‘met’ some of the casualties as skeletons from the mass graves excavated in and around Towton Hall by another friend/Society member, battlefield archaeologist Tim Sutherland. So the men in the picture feel like friends (indeed, one archer in the foreground bears an uncanny resemblance to Hubcap in build and stance!); we’ve literally walked in their footsteps, remembered and mourned for them, and commemorated their lives as re-enactors; and that’s why it hangs in this place of high honour, reminding us not only of the dead but of our wonderful medieval wedding weekend at The Crooked Billet in 2007, and all the happy times we’ve enjoyed on Society re-enactments, especially the Palm Sunday events in the grounds of Towton Hall.
To set it off, I painted the wall in Indigo Flame silk emulsion from my favourite Valspar v500 range supplied by B&Q, mixed to order in store – superior paints giving excellent coverage and good value for money. One big advantage is that all the available shades are painted on cardboard swatches you can view under three light sources – simulated daylight, fluorescent and energy-saving – to see exactly how it’ll look/easily match it against samples of your wallpaper, carpet or whatever. Brilliant idea. Another is the interesting way the palest shades behave on a wall, changing with the light, looking practically white in full sun and deepening to gorgeous, subtle colours in the shadows. We already have the faintly pink Lip Gloss and greenish-gold So Close in the bathroom and office, and the one I chose for the other three bedroom walls was Wisp of Cocoa, a delicious weak latte brown, to tone with our wooden furniture and patterns of the carpet. Otherwise, bog standard brilliant white silk vinyl and gloss took care of the ceiling and woodwork, and contrasted nicely with the walls and major new installation, the fitted wardrobes.
Splashing out on this was part of my plan to future-proof the room by maximising storage space and getting rid of the horrible, hard to clean dust-traps around our old free-standing wardrobes. Looking on-line for a local company, I found Hammonds in Leeds and requested their e-brochure, which arrived immediately; and even as I was browsing it, a sales-lady called me on my mobile. We arranged for a survey on the spot, and Phill the surveyor couldn’t have been more helpful or proficient in translating my ideas into a design, giving me loads of useful information and tips without any superfluous sales-talk, then advising me on how to save money and willingly re-doing the whole thing when the style I first chose proved to be outside my budget. (Ironically, I prefer the cheaper version he suggested to my original choice!). Everything then went exactly as arranged: a second, more detailed survey to check measurements/confirm details; the fitting itself, with a lovely fitter who worked his socks off to finish it in a single day; and an aftercare call to check that I was happy (I was, very). Absolutely impeccable service from beginning to end, and the beautiful wardrobes, with their soft-close doors, pull-out trouser rail and oodles of space meet our needs perfectly.
Hammonds is one of the best companies I’ve ever had the pleasure to work with, and I can’t recommend them highly enough – we’re certainly planning to use them again when we re-do our hobby-room next year.
Much the same can be said about the carpet. Again, I decided to splurge on a quality, traditional wool like the indestructible Axminsters and Wiltons my parents used to have, a carpet which would easily outlive me; and patterned rather than plain, to disguise the fact that the Helmickton royals are three messy, dirty beings. After a lengthy on-line search I was beginning to despair of finding what I had in mind, until I discovered the New Barrington Axminster range made by Hugh Mackay Carpets. The design ‘Kashmir’ literally made my jaw drop, and I knew straight away I had to have it. It has a vaguely Arts & Crafts feel, with dark red flowers to match my velvet curtains, and shades of tawny brown to go with the furniture (and the cat, who will no doubt shed copiously on it).
I duly contacted The Carpet Man, who’d made a grand job of supplying and fitting our new office carpet last year – and who was honest enough to say that it was too specialised a job for him, and refer me to Wakefield Carpet Specialists. I found WCS to be another faultless firm: the friendly, helpful staff did everything from ordering the carpet, storing it until the room was ready to receive it, then fitting it perfectly; they would even have shaved a millimetre off the bedroom door and re-hung it if I’d wanted to stop it brushing the pile. Just like Hammonds, WCS provides an old-fashioned personal service, with staff who clearly take pride in their work and seemed to genuinely enjoy supplying (quote) ‘a beautiful piece of carpet’ – definitely the go-to guys for specialised carpeting jobs in our area.
To complete the look, I treated us to a few luxury items in some of my favourite styles and themes from history, including the reproduction Tiffany stained-glass light fittings ordered on-line from Iconic Lighting.
Top marks again for quality, service and value for money: this ceiling lampshade and side-lamp arrived promptly, extremely well packed and intact, and look utterly delightful, especially when lit and the dragonflies’ eyes glow!
I’m also happy to commend the Belgian company Yapatkwa Tapestries for the fabulous throw and cushion cover which enabled me, at last, to dress my throne, (a magnificent folding period chair thoughtfully presented to me in my arthritic days by the Frei Compagnie, to spare my aching back on events), in suitably regal fashion.
The design on the heavy Jacquard throw is taken from my favourite Medieval tapestry, ‘La Dame et la L’Icorne‘, a copy of which I bought from the Musee du Moyen Age while on a culture-vulture tour of Paris in 1988, and now have framed on the wall alongside; the cushion cover is a Tree of Life by William Morris; both are sumptuously coloured, superb quality, a joy to behold and worth every penny.
Altogether it’s created a cosy Medieval-style reading corner, overlooked by another wedding present from Frei Compagnie friends Stu and Dawn: a portrait of King Richard III, whose fascinating story led me to Towton in the first place and who, in effect, introduced me to my husband!
The only slight disappointment was my ‘Strawberry Thief’ bed cover from the William Morris Company, supplied by Debenhams. There’s nothing wrong with the quality: it’s a stunning fabric, reversible, extremely well-made, and lightly quilted so that it’ll serve equally well as a heavy bedspread for the depths of winter, or by itself as an ultra-light duvet for summer heatwaves. No, the problem is the size: ‘Double/Kingsize’, which may be a tad small for the latter, but is WAY too stiflingly big for the former.
There’s no other size to exchange it for except Single, which will be too small; nor do I really want my money back, because in other respects I love it. So loath though I am to mutilate the most expensive piece of bedding I’ve ever bought, my only option is to cut it down to a sensible size for our standard double bed, re-hem it, and roll up/stitch the remnant to make a matching bolster cushion. Ah well – at least it’ll give me a project for those long winter nights!
Finally, a word on the other artworks, none of which are new and all of which have special meaning. The beautiful bronze-and-wood icon was a gift from my sister-in-law Anita, and sculpted by her late father, Willi Soukop, the prancing Balinese temple horses formerly hung in my parents’ hallway and were bought by Anita and my late brother John on their Far Eastern travels in the 1970’s; and the Ingres-style pencil portrait of a twenty-something me was drawn by my accomplished American friend Jim Fay in 1987, while I was living and working as an antiquities conservator in Baltimore, Maryland.
It’s lovely to sleep in such a rich-looking, comfortable and well-appointed room, surrounded by precious and beautiful things we’ve amassed over the years or had given by our loved ones; an eclectic mix of favourite periods and themes akin to the ‘pick and mix’ approach I took in creating the fantasy world in The Lay of Angor. I find it particularly satisfying that it allowed us to support a number of deserving businesses, at home and abroad, pumping some welcome cash into the economy in this uniquely difficult year. I can’t say how grateful I am to all the tradesmen and surveyors who continued to work during the second lockdown, enabling us to complete Project New Bedroom on time and according to plan, and I hope you’ve enjoyed reading about it as much as I enjoyed making it happen. And while you may not care for my choices, if you check out the company websites, you’ll see they supply a wide range of quality products in many different colours and styles to suit all tastes. Well worth a look if you’re planning your own right royal make-over!